Archetypes
Nov. 12th, 2011 09:18 amAn Archetype is “a collectively inherited unconscious idea, pattern of thought, image, etc., universally present in individual psyches” (Dictionary.com). In other words archetypes are the ideas that other ideas build off of, or an unconscious way of thinking about an image, story, people group etc. It is a lot like a stereotype. The biggest Archetype in Watchmen is the super heroes. The Super Heroes from comic books and movies that we think we know so well are missing in Watchmen. Super heroes are supposed to stand for justice, valor, what is right and values. They are supposed to be super human, like humanity in some ways but ultimately above and beyond. Watchmen, more or less throws this out that window. All of the super heroes (excluding Dr. Manhattan) are just normal everyday people in costumes and with some combat training. They fight for recognition, money, elevated standings and selfish gain. Stephen Hershey puts it thus, “The "hero" archetype, as we think we know it, is empty
and dead” (Hershey). Consider The Comedian, he has little regard for humans and he treats women like commodities, rape pillage and plunder seems to be his motto, yet he is one of the novels “super heroes.” Watchman takes the old ideas and stereotypes that are attached to super heroes and they twist them. Instead of being all powerful inhuman like beings with abilities such as flight, speed, mind reading, invisibility or super strength; Watchmen super heroes are just everyday people. Also unlike traditional super heroes, Watchmen super heroes struggle with a lot of personal issues and do not always triumph against evil.
Watchmen writers Alan Moore and Dave Gibbons take the archetype of super heroes and they revise it. The authors have kept some of the old “traditional” characteristics of super heroes such as, costumes, one super hero that actually “fits the bill” and fighting to protect humanity. They have although, taken all of these and modified them. They have made costumes of their own design, they have made the one actual super hero in the comic not care what happens to mankind, and they have made the super heroes who are supposed to be fighting for humanity and the betterment of human life, kill millions. “Watchmen is not just a graphic novel, but also a unique representation of American idealism as expressed through character image. Although the characters are portrayed as "superheroes," each is psychologically complex in that they become symbols for the flaws of American culture. For instance, The Comedian is violent and amoral, Rorschach is psychotic and politically active, Ozymandias is egotistical, Silk Spectre is a sex symbol, and Dr. Manhattan is emotionally detached. Thus, characters cast in a realistic light lose the luster so often given to traditional superheroes” (Dan Anderson).
Work Sited
Anderson, Dan. “Archetypal Representation of the American Identity in Watchmen.” Submission Stream v1.0. Web. 10 Nov. 2011 http://siteslab.org/pitjournalv1/node/200
Dictonary.com. “Archetype.” Dictionary.reference.com. Web. 10 Nov. 2011 http://dictionary.reference.com/
Hershey, Stephen. “Musings on Watchmen: Death of the Hero Archetype.” Evolver. 08 March. 2009. Web. 10 Nov. 2011. http://www.evolver.net/user/stephen_hershey/blog/musings_watchmen_death_hero_archetype
Moore, Anan, and Dave Gibbons. “Watchmen.” New York, NY: DC Comics, 1987. Graphic novel.
and dead” (Hershey). Consider The Comedian, he has little regard for humans and he treats women like commodities, rape pillage and plunder seems to be his motto, yet he is one of the novels “super heroes.” Watchman takes the old ideas and stereotypes that are attached to super heroes and they twist them. Instead of being all powerful inhuman like beings with abilities such as flight, speed, mind reading, invisibility or super strength; Watchmen super heroes are just everyday people. Also unlike traditional super heroes, Watchmen super heroes struggle with a lot of personal issues and do not always triumph against evil.
Watchmen writers Alan Moore and Dave Gibbons take the archetype of super heroes and they revise it. The authors have kept some of the old “traditional” characteristics of super heroes such as, costumes, one super hero that actually “fits the bill” and fighting to protect humanity. They have although, taken all of these and modified them. They have made costumes of their own design, they have made the one actual super hero in the comic not care what happens to mankind, and they have made the super heroes who are supposed to be fighting for humanity and the betterment of human life, kill millions. “Watchmen is not just a graphic novel, but also a unique representation of American idealism as expressed through character image. Although the characters are portrayed as "superheroes," each is psychologically complex in that they become symbols for the flaws of American culture. For instance, The Comedian is violent and amoral, Rorschach is psychotic and politically active, Ozymandias is egotistical, Silk Spectre is a sex symbol, and Dr. Manhattan is emotionally detached. Thus, characters cast in a realistic light lose the luster so often given to traditional superheroes” (Dan Anderson).
Work Sited
Anderson, Dan. “Archetypal Representation of the American Identity in Watchmen.” Submission Stream v1.0. Web. 10 Nov. 2011 http://siteslab.org/pitjournalv1/node/200
Dictonary.com. “Archetype.” Dictionary.reference.com. Web. 10 Nov. 2011 http://dictionary.reference.com/
Hershey, Stephen. “Musings on Watchmen: Death of the Hero Archetype.” Evolver. 08 March. 2009. Web. 10 Nov. 2011. http://www.evolver.net/user/stephen_hershey/blog/musings_watchmen_death_hero_archetype
Moore, Anan, and Dave Gibbons. “Watchmen.” New York, NY: DC Comics, 1987. Graphic novel.
